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Adobe Systems announced the Adobe Creative Suite 4 product family, a milestone release of the industry-leading design and development software for virtually every creative workflow. Delivering radical workflow breakthroughs that bring down the walls between designers and developers and packed with hundreds of feature innovations the new Creative Suite 4 product line advances the creative process across print, Web, mobile, interactive, film and video production.

Adobe Creative Suite 4 combines virtually all of Adobe’s new design and development applications, technologies and services in a single box the most comprehensive creative environment ever delivered.

Customers can choose from six suites or full version upgrades of 13 stand-alone applications, including Photoshop CS4, Photoshop CS4 Extended, InDesign CS4, Illustrator CS4, Flash CS4 Professional, Dreamweaver CS4, After Effects CS4, and Adobe Premiere Pro CS4.

A simplified workflow in Adobe Creative Suite 4 enables users to design across media more efficiently by making it easier to complete common tasks and switch between mediums without leaving a project. InDesign CS4 includes a new Live Preflight tool that allows designers to catch production errors and a newly customizable Links panel to place files more efficiently. The revolutionary new Content-Aware Scaling tool in Photoshop CS4 and Photoshop CS4 Extended automatically recomposes an image as it is resized, preserving vital areas as it adapts to new dimensions. An expanded version of Dynamic Link in CS4 Production Premium enables users to move content between After Effects CS4, Adobe Premiere Pro CS4, Soundbooth CS4, and Encore CS4, so updates can be seen instantly without rendering.

Designers using the Adobe Creative Suite 4 product family will be able to gain unprecedented creative control using the new expressive features and visual performance improvements in Adobe Flash Player 10 to deliver breakthrough Web experiences across multiple browsers and operating systems.

Adobe Creative Suite 4 brings 3D center-stage providing the ability to paint, composite, and animate 3D models using familiar tools. Flash CS4 Professional now offers the ability to apply tweens to objects instead of keyframes, providing greater control over animation attributes. Also in Flash, the new Bones tool helps create more realistic animations between linked objects. With a searchable library of more than 450 dynamically updated device profiles from leading manufacturers, Adobe Device Central CS4 (see separate release) enables users to easily test mobile content designed using many of the Creative Suite 4 products.

Adobe Creative Suite 4 significantly expands access to services available to creative professionals and developers who want to collaborate online.
Adobe ConnectNow, a service of Acrobat.com, can be accessed from InDesign CS4, Illustrator CS4, Photoshop CS4 and Photoshop Extended CS4, Flash CS4 Professional, Dreamweaver CS4, Fireworks CS4, and Acrobat 9 Pro, allowing real-time collaboration with two colleagues or clients. Designers can also share color harmonies with Adobe Kuler™, which is now accessible from within InDesign CS4, Illustrator CS4, Photoshop CS4 and Photoshop Extended CS4, Flash CS4 and Fireworks CS4.
Other online resources include: Adobe Community Help for technical questions%3B Resource Central for accessing video and audio product-related news and tutorials, as well as Soundbooth scores, sound effects, and other stock media%3B and Adobe Bridge Home, a customizable resource for tips, tutorials, news and inspirational content.

Adobe Creative Suite 4 and its associated point products are scheduled to ship in October 2008.

For a limited time, validly licensed customers of eligible versions of Adobe Creative Suite, Adobe Production Studio and Macromedia Studio will be able to upgrade to Creative Suite 4 for the CS3 upgrade price.

Apple iLife ‘08 and iWork ‘08 available!

Following the recent August announcements from Apple, iLife ‘08 and iWork ‘08 are now avalaible.

The new iLife ‘08 features the same component softwares as before, same name but some are really brand new.

Concerning iWork ‘08, the package includes:

No Mac user should miss these packages.
No Mac business user should miss taking a closer look to iWork ‘08: a great way to get for US$ 75 a complete Business Software Suite.

Better late than never (see Sourcecrowd’s previous report here) Apple Apple’s new OS X iteration is coming: a definite sign that the Leopard will not suffer further delays is that it is now available for pre-order from a few outlets. So if you want to be one of the first to get your hands on the latest and greatest features when the 10.5 version of the operating system ships in October, click on the Apple links in this post to reserve your copy.

To see some of the nifty new feautures of Leopard and for more information, go to Apple’s website. Apple Mac OS X Version 10.5 Leopard has a retail price of $129.

Sony is rolling out firmware 1.80 for its PlayStation 3. This latest update will add resolution upscaling capability for PlayStation and PlayStation 2 titles, as well as bring DVD playback to full 1080p resolution when viewed on compatible HDTVs. Further enhancements include Remote Play functionality for the PlayStation Portable (PSP), which allows users to access their PlayStation 3 consoles remotely from its portable little brother using any available wireless connection. Moreover, Sony is boosting the PS3 as a media hub for the front room, adding the ability to network the console with home PCs to stream media content on to TV sets.

In related news, VoIP service Jajah has made an update to its website that streamlines it for use on the PS3. As voipstage.com reports, Jajah lets you register with your “home phone number, then when you want to call someone you enter their number into your browser and Jajah will dial your phone and connect you directly”, doing away with headsets as it uses your existing handset (or mobile phone). The service is free between Jajah users.

Welcome to the second part of our special report. We left off with Apple representative Richard West talking about the importance of color calibration…

Next up was Jonathan Ferman, Business Development Manager, Media & Publishing for Adobe, going through some of the new features of the main applications in CS3. He started off with Bridge, Adobe’s asset management program, which managed to first draw blanks from the audience (a show of hands revealed that although all of the attendees used CS2 or at least a few of its programs, none used Bridge for asset management) and then chuckles when Ferman showed its “completely reworked and improved UI”: everything from functionality to colour scheme seems to have been lifted from Apple’s Aperture (down to the 100% magnification function, a square called Zoom in Bridge, more than reminiscent of the circular Loupe in Aperture). Inside Bridge are some new collaborative features like Version Cue, offering built-in support for workgroups and check-in and check-out functionality when multiple people are working on the same file/project, and Acrobat Connect, a flash-based mini-app that allows onscreen meetings and classes with remote assets-sharing capabilities.

Photoshop sports faster startup times and a reworked UI. Palettes have now been renamed Panels, and have been made more fluid and easily customizable. Panels work in a way that is similar to browser tabs, movable and switchable around the workspace, and new tools/name/icon views allow saving screen real estate to concentrate on the image and minimize the pixels taken over by the tool switches. A very cool feature is the quick selection tool, an improvement on the lasso tool to cut out elements of an image with stunning precision. The new tool takes into account not only edges, but also colour and even texture: and if that’s still not precise enough for you, a Refine Edge tool brings you into the finest details like hair and fabrics. The ease of use of this features was quite impressive. Perhaps the most interesting feature of all was the auto align pictures: you can now select a bunch of similar pictures, and PS will align them for you based on content, layering them in an onion skin fashion, and allow users to choose the best exposure by deleting or bringing parts of the layers to the front. Stitching panoramas with auto exposure correction via auto blending is also possible, all at a click of one button. 3D and video/audio are now supported, and fully editable, inside PhotoShop. 3D layers, wireframe views, lighting effects, frame by frame editing, music scoring, all in one place and with tight integration with the other programs of the Suite.

Dreamweaver is one of the Macromedia applications Adobe is bundling in CS3, and is now fully compatible and integrated with Photoshop. It boasts even better tools to check browser compatibility issues (offering solutions through a community-driven website) and CSS stylesheet manipulation, with presets for outputting the same content for web, print, and mobile devices alike. In particular, users are able to preview how their work will look on different handeld decives through Device Central, a fully featured emulator with a list of the latest phones from the main manufacturers (which Adobe promises to update regularly). From screen size to processor simulation, no detail is left off to replicate the user experience on different devices. And developing for different platforms is just a matter of clicking a button, Dreamweaver will do it automatically for you, adapting the content to your choice of device.

Square Group Ltd in association with Adobe, Apple and a slew of other partners organized an Adobe Creative Suite CS3 seminar at BFI Southbank in London last Tuesday, May 15, 2007. The seminar featured presentations from both Adobe and Apple about the new features of the many applications that make up Adobe’s new crown jewel, CS3, alongside demonstrations of related products from the likes of Eizo, Wacom, Extensis, HP and G-Tech. SourceCrowd was in attendance and can bring you an exclusive report from the event.
Before the seminar, attendees were able to peruse stands with a few interesting products on show. Eizo wowed the crowd with its stunning professional quality displays like the ColorEdge CE240W sporting hardware colour calibration, 14-bit color processing and easy profiling. Extensis was showcasing two of its software products for asset management: Suitcase Fusion, a font manager to organize, categorize and activate/deactivate fonts on the fly, and Portfolio, a complete multimedia files management tool. HP was showcasing the HP B9180 Photosmart Pro Printer, an eight-tanks pigment ink powerhouse which demonstrated stunning results on some of HP’s custom papers (especially impressive were the results on canvas-textured paper). Wacom had both the A4 Intuos3 graphic tablet and the Cintiq 21UX display available for hands-on demonstrations, making precise editing of pictures a breeze. Last but not least, G-Tech had the whole range of its external high speed hard drives solution on display. The elegant silver enclosures sport the latest in eSata and Firewire connections on the G-Raid2, G-Drive 250GB External FW400/USB2, G-Mini and G-Safe, with high-end fibre-channel RAID solutions also available in the G-Speed models.

Then it was finally time to immerse into the presentation!

The first speaker was Richard West, Apple Business Development Manager for the UK and Ireland. He started by stressing how important it is, in a multimedia communicational landscape, to put to good use the plethora of different ways that businesses have to reach clients, by customizing communications to target and focus on different markets. Adobe Creative Suite CS3, he argued, is the tool of choice to do so, allowing the use of a single creative process for multiple disciplines through its multiplicity of applications. Since output is so important to the designers and developers who use CS3, he then went on to demonstrate how colour calibration devices (in this case, the Pantone Huey Pro MEU113) can work in tandem with OS X ColorSync Utility (found in the Applications>Utilities folder) to prevent disparity between screen output versus print/web output. In particular he showed how it is possible to compare colour spaces graphically, and onscreen proofing of different colour spaces just by dragging and dropping images on the application. Microsoft’s Windows has “borrowed” the same functionality for its latest OS, implemented in Vista under the name Windows Colour System (located in the Control Panel).

Stay tuned for the second part of our report - coming soon!

eJamming AUDiiO is an online tool that allows you to connect to other musicians everywhere in the world and play your instruments together in an online jam session, all for free.

It was deemed one of the top 24 innovators by Fortune magazine, and that is no surprise when you realize the slew of possibilities it opens for both the learning and experienced musicians. Once you set up your account and download the beta (PC and Mac versions available), all that is left to do is to plug in your choice of instrument in your computer, and search for other like-minded musicians to jam with. In this respect eJamming works very much like any other social networking site.

One of the main problems faced by all computer musicians is the interface latency (the time intervening between the note played on your instrument and the processed sound coming out of your speakers). eJamming AUDiiO promises to reduce latency by measuring the relationship (distance, connection speed etc.) between the players connected in an online session, and imposing the minimal necessary delay on each instrument to synchronize the players. A comprehensive FAQ on the website guides you through the setup, and is full of tips to optimize the performance of your system to give a real “live” feel when playing.

eJamming AUDiiO is certainly one of the most interesting ideas to come out of the “Web 2.0″ user experience paradigm that we have seen so far.

TIPA (Technical Image Press Association), a consortium of Europe’s leading photography magazines, has today announced its annual awards, dubbed as the European ‘Oscars’ of the Photo Imaging Industry. The prestigious recognitions are given to products excelling in a number of categories, from consumer point&shoot cameras to DSLRs, plus related software, printers and accessories.

Nikon has once again picked up the Best Entry Level DSLR award, with the Nikon D40x 10.2MP Digital SLR Camera following last year’s winner D50. SourceCrowd had reported about the introduction of the new Nikon here.

A great recognition in the Best Photo Software category goes to Apple Aperture 1.5, especially since a lot of criticism had been leveled at the 1.0 version of the pro application. Aperture is a complete workflow and image management app with Apple’s trademark cool design and ease of use, and has now reached full maturity with the update to 1.5. It follows in the path of past winners like Adobe’s Photoshop.

This week’s National Association of Broadcasters conference (NAB) in Las Vegas has seen Apple unveil Apple Final Cut Studio 2, an upgrade to its pro video editing and production suite. During last Sunday’s presentation, Apple showcased the programs that make up the high-end HDV powerhouse editing tool suite: Final Cut Pro 6 for cutting together video sources, Motion 3 to add animated 2D and 3D titles, Soundtrack Pro 2 to manipulate the score, Compressor 3 to handle different output formats (from HD movie to iPod), DVD Studio Pro 4.2 to output to DVD media, and a new application, Color, that gives editors control over the look and feel of the footage through pro color grading capabilities.

The most interesting features that wowed the public were the Open Timeline, affording maximum flexibility to mix video sources (Final Cut handles “DV and SD up to HDV, XDCAM HD, DVCPRO HD, and fully uncompressed HD”) in one final product, and the introduction of a new post production format, ProRes 422. ProRes promises “uncompressed HD quality at SD file sizes” with real time drag and drop editing capabilities for HD video.

To this end, Apple has teamed up with AJA Video Systems to develop IoHD, a new hardware-based audio and video IO box that connects to the Mac using a single FireWire 800 connection, and promises real-time 10-bit HD conversion. The impressive IoHD sports a huge number of ports on the back and monitoring LEDs at the front, in an enclosure design reminiscent of Apple’s Mac Pro line.

Final Cut Studio 2 will cost $1,299 or $499 for an upgrade. Upgrading from any version of Final Cut Pro to the Studio will cost $699. Final Cut Studio 2 will be available next month, while AJA’s IoHD will debut in July for $3,495. Of course these are not consumer-priced products, but they are a breakthrough in high end HD video editing, offering solutions at a fraction of the price of the competition, making Hollywood style editing affordable for smaller studios and independent filmmakers.