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The Pentax K-7 is the new jewel in the company’s crown, with a long list of specs well beyond any previous Pentax DSLR. Existing Pentax users will be pleased to finally see a much-wanted pro-level upgrade, whereas those familiar with other manufacturers’ systems may also be drawn in thanks to an all-encompassing features list.

The Pentax K-7 has been built from the ground up by Pentax and, unlike the K20D and K10D which had Samsung GX20 and GX10 equivalents, is a standalone venture. The build quality is a key sell; ruggedly made, but following Pentax’s ultimately ‘classic’ design, the body is made from a magnesium alloy that’s both dust and weather-sealed at 77 points. Shooting in sand, getting splashed with rain or other treacherous conditions need not be a bother and, despite this upgrade, the whole camera is even marginally smaller and lighter than the previous K20D. The featured 18-55mm kit lens follows suit, as does the optional D-BG4 battery grip (which offers both AA and li-ion battery options) to complete a fully weather-and-dust-sealed unit in its entirety.

A high-resolution 14.6MP CMOS sensor is at the heart of the K-7’s body, which whilst not a step up over the K20D in terms of resolution, does double the number of output channels. The result? More information can speed through the K-7’s buffer for faster continuous shooting than ever before – a firm 5.2 frames per second sees the K20D’s 3fps barrier officially trounced; ideal for those looking to shoot sports or action photography.

Unlike its key competitors – namely the Nikon D300 and Canon 50D – the Pentax K-7, like many Pentax DSLRs before it, incorporates Shake Reduction (SR) into the camera body itself. Crucially this means even old K-mount bayonet-fit lenses can benefit from this function, and new lenses will not cost as much as their (hypothetical) stabilised counterparts.

A notable – and very much ‘flavour of 2009’ – feature is the inclusion of a 720p HD movie mode, plus the inclusion of a superior 1536×1024 capture that can be output at 1080i, though this is not ‘Full HD’ capture. Mono sound is recorded from the camera’s body, or there is the option to use the 3.5mm jack socket to plug in a microphone and record in stereo. Aperture can be set as fixed via the camera body for recording or there’s an automatic variable aperture mode, which adjusts the aperture according to the amount of light available throughout recording. Whilst in-camera shake reduction can also be used to full effect, it is not possible to autofocus whilst recording – though it is entirely plausible this will be possible in the future, if the clever bods at Pentax fix up the necessary firmware.

In keeping up with the competition, the Pentax K-7 adorns a 920,000 dot high resolution 3in LCD screen. Whilst it’s not a tilt and swivel screen as seem to be creeping into a number of camera bodies of late, it does auto-rotate images on the screen itself and, in keeping with orientation, has a virtual horizon level too – a really nice touch when in live view mode.

With customisable white balance settings, a shutter speed up to 1/8000th second, 77 segment metering system, the new SAFOX VIII+ 11-point AF system with AF illuminator lamp, in-camera HDR, and D-Range shadow and highlight adjustment options, the features list is certainly bulging. The K-7’s viewfinder has the much-sought after 100% field of view too, ensuring what you see is exactly what you’ll capture.

Now it’s your choice: which bargain are you going to take?
It’s either a Pentax K-7 with DA 18-55mm f/3.5-5.6 AL Weather Resistant Lens bundle priced at US $1,104.99 (saving up to 47% over regular price, that’s $979.11!) or the body-only Pentax K-7 priced at $979.00 that’s $320.95 (-25%)!

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iPod touch 2G and iPod 4G are now available with substancial discount.
Guess what? 35% off the Apple iPod touch 32 GB (2nd generation) means you’ll pay US $ 239.99 for one the best devices around!
32 Gig is a lot of space for videos, music and - mostly - apps you can download from App Store!

Be cool: Apple iPod nano with 16 GB capacity is now US $ 139.99, that’s 30% off regular price!

It’s a limited offer, so hurry up!

The Nikon D3000 is an entry-level DSLR, but don’t let the term fool you. When you place the label “Entry Level” on a camera, it might call to mind a camera with no frills, limited uses, and little more to offer than an automatic shooting experience.

This has been disproved by the latest crop of cameras released in the past two years, and the D3000 continues to set the bar high for an entry-level camera.

This new generation of point-and-shoots and entry-level DSLRs not only push the boundary of low-light performance and mega resolutions, they give that power to a whole new audience of beginning photographers.

Not only do DSLRs offer you manual control over shooting, they give you the advantage of using different kinds of lenses. It’s important to remember when buying a DSLR that you’re also buying into a system of lenses, not just a camera. The power of having a DSLR is that you can place any of your old lenses onto a new camera body in the future.

Enter the Nikon D3000, a new entry-level DSLR with a 10.2 megapixel DX-format CCD APS-C image sensor, 11-point Autofocus system with 3D tracking (which comes on the higher-end D5000 and D90), Active D-Lighting and an AF-S DX NIKKOR 18-55mm f/3.5-5.6 VR lens for $599.

The Nikon D3000 feels and looks exactly like the other DSLRs from Nikon, and is only different from the D90 and D5000, both higher-end models, by a few tenths of an inch. The D3000 measures 5.0×3.8×2.6 inches while the D90 is 5.2×4.1×3.0 inches, though the D3000 weighs a bit less at 1 lb 1 oz, making the Nikon entry-level to prosumer DSLR models almost identical in shape and size as well as overall appearance.

First time DSLR users will enjoy the Guide Mode. It literally walked us through different shoot scenarios via the fixed 3″ LCD screen. An excellent tool, its step by step instructions allowed my niece to move from the operating booklet in no time.

The Nikon D3000 is paired with a Nikkor 18-55mm AF-S DX lens. It will operate with any Nikkor DX and AF-S lens.

Nikon makes it really simple with a thumb dial for tweaking aperture and shutter speed. Metering, focus modes, and exposure compensation are easily controlled via the menu. The D3000 does not shoot in video mode. This model easily shoots over three frames per second in continuous mode. The 3D tracking sensor operates quite well in low lighting.

Get the full Nikon D3000 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens bundle for US $458.86 (You Save: $91.09 and that’s 17%!) now and enjoy a limited-time free-shipping!

Even though the Nikon D3000 is really simple to use, do you really want some great advice on using it?
Get the Nikon D3000 For Dummies!

Explore your camera’s creative options and learn to get great shots with your dSLR with this great book!

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